Address: 84, Bidhan Sarani, Kolkata - 700004
Inaugurated In: 10.06.1954
Opening Film: Ladies Seat
Status: CLOSED
The Bariks had founded the Chhaya cinema in north Kolkata. They were originally from Bankura before shifting to Kolkata. Maheshchandra Barik had an iron foundry in Kolkata. Subsequently, he set up an oil mill. Success in business led to establishing the Barik Estate. The man at the helm of affairs was Kalipada Barik. He died at the age of 32. His wife was Shailabala Debi. They had three sons - Shambhunath Barik, Sarojendranath Barik and Sachindranath Barik. After the demise of Kalipada, Shailabala took charge. She was aided by her brothers, Bholanath Barik and Purnachandra Barik. Purnachandra was very interested in cinema. It was he who convinced Shailabala to build one. During that time, there was a financial crisis. Finally, the oil mill was sold off and the Chhaya cinema was built on the family's own plot of land on Upper Circular Road (122, APC Chandra Road). Shailabala was married at the age of nine. She ensured the best of education for her sons. She maintained purdah and was a very spirited lady. She also ensured that the business interests of the family were well taken care of. The Bariks started buying properties all over Kolkata when she came in charge. The story goes that once upon a time, this family owned some 100 houses in Kolkata. Kalipada's three sons had planned to open a cinema called Life at Barik Bhawan on 8 Chittaranjan Avenue. Everything was procured, including seats and the machine. But, the plan didn't materialize since there were objections from locals. Back in those days, there was a tradition of newly-wed couples going to watch movies. Sachindranath had gone to watch a film with his wife but didn't get tickets. Miffed, Sailabala insisted that a cinema would be built in the same area. Barik Screen Corporation had opened a cinema called Darpana on Bidhan Sarani in 1954 with Ladies Seat. Sarojendranath's third daughter was born after the inauguration of the cinema and was named after it. Sarojendranath was a student at Presidency College. He wanted to be a surgeon but his mother was against it. So, he had to look after the business. Sarojendranath was very artistic and had designed the glass wall of Darpana. Before the release of Darpana, a banner of Ladies Seat was put up in front of Chitra. Sarojendranath had told the owners of the Chitra that Darpana will be opening with the same film. The Mitras were so cooperative that they let the banner remain and even mentioned that date from when the film would run at Darpana. Raj Kapoor's films would be released at Darpana. He shared a very good relationship with Sarojendranath. He would attend the opening shows of his films at Darpana. Nirupa Roy and Nargis had also come to Darpana. The cinema shut for good on March 16, 2019. Currently, it is embroiled in legal issues.
Did You Know?
Shambhunath Barik, Sarojendranath Barik and Sachindranath Barik had also opened a production house called the Barik Screen Corporation. It produced Chandranath. This film was screened at Darpana, Prachi, Metro and Indira. It had run at Darpana for over 15 weeks.
Important Releases (1917-1999)
Bakul, Ladies Seat, Nil Shari, Sati, Aparadhi, Dujanay, Hrad, Raikamal, Sanjher Pradip, Srikrishna Sudama, Aamar Bou, Abhagir Swarga, Dhular Dharani, Ekdin Ratre, Saheb Bibi Golam, Shubholagna, Shyamali, Abhishek, Baksiddha, Baramaa, Ektara, Harjit, Parer Chhele, Punarmilan, Raat Ekta, Joutuk, Maa Shitala, Priya, Agnisambhaba, Personal Assistant, Swapanpuri, Arghya, Mon Dilona Badhu, Shesh Prahar, Era Kara, Joradighir Chowdhury Paribar, Kamallata, Bilwamangal, Gharer Baire Ghar, Shesh Bichar, Sita, Ogo Badhu Sundari, Sei Sur, Sonay Sohaga, Suryasakshi, Kharij, Maa Bhabani Maa Aamar, Mamata, Megher Pare Megh, Shathe Shathyang, Sonar Bangla, Banasree, Kajladidi, Bagdipara Diye, Aamar Prithibi, Nishante, Parama, Sree Jagannath (Dubbed), Amarkantak, Basundhara, Daktar Bou, Dui Adhyay, Jiban Sathi, Kenaram Becharam, Muktapran, Shapmukti, Shyam Saheb, Kshyapa Thakur, Lalan Fakir, Mandir, Mouna Mukhar, Nadiyar Nagor, Radharani, Sahadharmini, Sargam, Chhannachhara, Maa Ek Mandir, Madhuban, Ora Charjan, Rater Kuheli, Surer Sathi, Asha, Bandhabi, Bhangon, Gili Gili Gay, Kori Diye Kinlam, Monimala, Nishitrishna, Tufan, Badnam, Chakranta, Chetana, Ekaki, Kalanka, Manasi, Raktareen, Aamar Sathi, Akanksha, Bidhir Bidhan, Kagajer Nouka, Manabpremik Nimai, Najarbandi, Nilimay Nil, Nyaychakra, Thikana, Adhikar, Apan Par, Bedenir Prem, Goopy Bagha Phire Elo, Kato Bhalobasa, Monikanchan, Natun Sansar, Pratham Dekha, Prem, Amar Kahini, Maan Samman, Mishti Madhur, Rangbaj, Kalpurush, Nati Binodini, Sagar, Abirbhab, Boumoni, Dagi, Mashal, Patibrata, Pratidhwani, Premsangee, Sansar Sangram, Shesh Pratiksha, Kama, Marga, Mayer Katha, Nikhonj, Puja, Sinthir Sindur, Sopan, Ajker Santan, Bakul Priya, Gane Bhuban Bhariye Debo, Joddha, Manasa-Kanya, Mittir Barir Chhoto Bou, Pabitra Papi, Pratirodh, Sarbajaya, Swami Keno Asami, Tarini Tarama, Ami Je Tomari, Aparajita, Bishnu Narayan, Chowdhury Paribar, Ganga, Gharer Lakshmi, Hingsa, Jamai No. 1, Manush ManusherJanya, Meyerao Manush, Ranakshetra, Sagar Banya, Sundari, Sundor Bou, Priyajan, Antiya Swajan, Dabidar, Niyoti, Gunda, Siraj, Daedayitwo, Anupama, Lakshmi Pratima