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Theory, Technique and Criticism
Home
> Books > Theory, Technique and Criticism
16 Frames
An Endless Journey: Revisiting Goutam Ghosh's Cinema
Anabhijatoder Janya Opera
Art Cinema and India's Forgotten Futures
Bangalar Chalachchitra O Sanskriti
Bangla Chalachchitra Chinta
Bangla Chalachchitre Swatantra Nari
Bangla Sahitya O Bangla Chalachchitra
Bastabottar Chalachchitra O Aro Kichhu
Bengali Cinema 'An Other Nation'
Bharatiya Chalachchitra: Ekti Arthanaitik Pratibedan
Bishoy Shilpa Nirdeshana
Boi Noy Chhabi
Boka Baksho Rupali Parda
Bongiyo Chalachchitradhara
Camera Jakhan Rifle
Celluloid-e Mahan Kathakarera
Censor O Cinema
Chalachchinta
Chalachchitra Abhinoy
Chalachchitra Bhabna
Chalachchitra Bichitra
Chalachchitra Charcha
Chalachchitra Chinta O Chetana
Chalachchitra Darpane Saratchandra
Chalachchitra Katha
Chalachchitra Nirman O Parichalana
Chalachchitra O Nritya
Chalachchitra O Shilpir Sankat
Chalachchitra Pratham Parjaay
Chalachchitra Samalochona 15
Chalachchitra Samalochona 50
Chalachchitra Sameeksha
Chalachchitra Sampadana
Chalachchitre Bitarka
Chalachchitre Camerar Bhasha
Chalachchitre Nandan Tatwa
Chalachchitrer Abhidhan
Chalachchitrer Bhasha Tatva O Anyanya
Chalachchitrer Ghar Bahir
Chalachhitrer Bhasha
Chalachhitrer Sandhane
Chalachitrer Technique O Technology
Chhayachitra Kala
Chhotoder Cinema Biswa Theke Bangla
Chitra Samalochona 40
Chitrabani A Book on Film Appreciation
Chitranatya Rachana O Chitranatya Bishleshan
Chitranatya Lekhar Ritiniti
Chitranatya Sahityer Notun Bhuban
Chlachchitra Bhabna
Cinema
Cinema Acinema
Cinema Cinema
Cinema Dekha Cinema Pora
Cinema Ebong Koyekjon
Cinema Japon
Cinema Kathakata
Cinema Niye Katha
Cinema Niye Nana Lekha
Cinema Niye Nanarakam
Cinema O Kichhu Anandanik Bhabna
Cinema Porte Porte Jana Korte Korte Shekha
Cinema Samay O Samaj
Cinema Sankranta
Cinema Saptam Shilpakala
Cinema.Culture.Capital.Context: India
Cinemaay Abhinoy Tatha Abhinoye Bigyan
Cinemaay Image
Cinemar A, Aa, Ka, Kha
Cinemar Alap
Cinemar Angik
Cinemar Bhalo Mando
Cinemar Dhnadha
Cinemar Jharna Talaay
Cinemar Katha
Cinemar Nabataranga Oder Amader
Cinemar Nijer Bhashaay
Cinemar Rupkatha
Cinemar Sukhdukkho
Cinemar Swad
Cinematography
Cinemay Deshbhag
Conscience of the Race: India's Offbeat Cinema
Dekha Cinema Cinema Dekha
Deshbhager Cinema
Ek Chhilim Filim
Fade In Fade Out
Film Graphics
Film Niye
Films of Nabyendu: Siganture of Humanism
Gadya Samagra (First Volume ? Chalachchitra)
Gadya Sangraha
Gautam Ghosher Chalachchitra
Kabitar Hatchhani Cinema Theke Cinemaay
Movie Photography
Nabyendu's Trilogy Films
Narrative Film Nirman
Narratives of Indian Cinema
Natun Bangla Cinema
Natun Bangla Cinema
Notun Cinemar Sandhane
Ong Bong Chong
Parama And Other Outsiders: The Cinema of Aparna Sen
Popular Cinema in Bengal: Genre, Stars, Public Cultures
Prasanga Abhinoy
Prasanga Chalachchitra
Reading Rituparno
Rituparno Ghosh Cinema Gender and Art
Samagrik Utpal Manas
Samaj O Chalachchitra
Sanjog Cinema Unnayan
Satyajit, Ritwik, Mrinal
Seeing is Believing
Sei Sob Lekha Prasanga Chalachchitra
Sens And Sensibilities: Mrinal Sen, Suchitra Sen, Aparna Sen
Shabda-Shilpa Katha
Shot O Shot Division
Smriti Satta O Cinema
Stage and Screen Representation and Self-discoveries
Start Camera
Swadhin Desher Chalachchitra
Talking About Films
The Cinema of Bimal Roy
The Directors' Mind
The Essential Mystery
The Films of Buddhadeb Dasgupta
The Painted Face Studies in India's Popular Cinema
The Subject of Cinema
To View Movies the Indian Way
